In a radical action like Nam June Paik destroying a violin, and rolling up in bandages the bodies of the players in in a concert by Yoko Ono, the international avant-garde group Fluxus changed not only art, but the concept of it. 　　Fluxus Replayed is a document of a 1991 performance in New York, which reproduced historical Fluxus performance pieces from the early 1960s. The S.E.M. Ensemble together with some of the Fluxus artists themselves, perform works by Nam June Paik, Yoko Ono, Dick Higgins, George Brecht, Allison Knowles, Ben Patterson, Jackson Mac Low and Emett Williams. 　　"Taka iimura is a senior figure among contemporary Japanese artists and has been working with film, sound and video since the 1960s. He was one of several Japanese who, coming from a 20th Century tradition of avant-garde intervention, contributed to the Fluxus group in the 60s... As the cycle of experimentation moves through another generation, glimpses of precursors through archive recordings of this kind help ground artists’ surviving words and artworks." 　　-- Mike Leggett, Leonardo Digital Review, MIT Press

So my caring mother would rub the Fluxus Hair Tainer into my scalp, comb my disobedient locks, and then send me off to school looking like that ass-wipe kind on the bottle. I was an independent kid by gum, and this hair meant that I belonged, that my parents knew what was fucking what. This film is an adaptation of Paul Auster story: "Timbuktu".